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Technical details

Supported Framerates

FramerateTypeDrop-FrameCommon Usage
23.976 fpsNTSC FilmYes (;)Film transferred to NTSC
24.000 fpsFilmNo (:)Cinema, digital film
25.000 fpsPALNo (:)European broadcast
29.97 fpsNTSCYes (;)North American SD broadcast
30.000 fpsNTSC ProgressiveNo (:)Progressive scan NTSC
50.000 fpsPAL ProgressiveNo (:)European HD broadcast
59.94 fpsNTSC HDYes (;)North American HD broadcast
60.000 fpsProgressive HDNo (:)High framerate progressive
119.88 fpsHFR NTSCYes (;)High framerate NTSC-derived
120.00 fpsHFR ProgressiveNo (:)High framerate progressive

Note: Drop-frame timecode “drops” frame numbers (not actual frames) at the start of each minute except every 10th minute. This keeps timecode synchronised with real clock time for NTSC framerates.

Audio Format Compatibility

FormatChannel RoutingLoudness NormalisationNotes
PCM (WAV/AIF)✅ Full support✅ Full supportRecommended for QC work
AAC (Multi-channel)✅ Full support✅ Full supportCommon in MP4/MOV containers
FLAC (Multi-channel)✅ Full support✅ Full supportLossless compression
AC3/E-AC3⚠️ Limited✅ Full supportUse default downmix for routing
DTS⚠️ Limited✅ Full supportUse default downmix for routing
Opus✅ Full support✅ Full supportModern codec support

Recommendation: For maximum compatibility with channel routing features, use uncompressed PCM or losslessly compressed FLAC audio.

Loudness Standards Compliance

This suite implements industry-standard loudness normalisation:

StandardTargetTrue PeakRegionApplication
EBU R128-23 LUFS-1 dBTPEurope, InternationalBroadcast television, cinema
ATSC A/85-24 LKFS-2 dBTPNorth AmericaBroadcast television (CALM Act)
AES Streaming-16 LUFS-1 dBTPGlobalPodcast, streaming platforms

Implementation: Uses FFmpeg’s loudnorm filter with linear mode for transparent, broadcast-compliant normalisation. Processing adds minimal latency suitable for real-time monitoring.